B.INDONESIA KD.5.2

A) Tema : Pengorbanan & Tanggung Jawab Sahabat Sungguh Penting
B) Tokoh :
a) Anas : baik hati, pengertian, penyabar
“ Saya tahu artinya kehilangan mati oleh ayah,” Kata Anas tiba-tiba suaranya dalam, air mata mendesak keatas, tapi, ditekannya. Menghisak sedikit. Menelan ludah lalu mengorek – ngorek lagi matanya.
b) Hadi : keras, suka memukul, mudah menghasut
.... Dan seraya berkata begitu, tajam lagi Hasan melihat kedalam wajah Hadi. Hadi agak gelisah, kertas yang digenggamnya makin diremas-remas. Kemudian seraya membanting kepalan kertas itu ke lantai, “baiklah! Biar aku yang mencurinya. Jangan kepalang aku dikatakan pencuri.”
Dan sambil menyepak kepalan kertas tadi, ia nergegas keluar, “ biar kucuri dekarang juga. ”
c) Hasan : pendedam, jaht, suka menghasut.
Hasan mengikuti badan kecil berkacamata itu dengan pandangan matanya sampai menghilang di balik pintu. Kemudian dengan menepuk lagi punggung Hadi katanya, “ Sebetulnya kau kalah itu bukan karena kau kalah pandai, Hadi, tapi kurang awas, kita mesti kalah, ya ia terlalu llicik, terlalu cerdik, terlalu pelit, betul tidak?”
d) Amat (pesuruh asrama) : jujur & menjalankan tugasnya dengan baik.
.... dan datangan Amat bergerak-gerak, mau banyak bicara tapi sukar, “ Saya...... Amat yang mengadu....... bukan orang lain....... Saya tadi lihat dari belakang pintu segala apa yang terjadi.”
e) Pak Yoso ( Pemilik Asrama ) : Tegas dalam mengambil semua tindakan dan permasalahan.
Tiba-tiba Pak Yoso masuk kembali. Mendekati Hasan yang sedang merengut itu. Katanya dengan suara keras, “ Hasan! kau telah berbuat busuk, mengerti? Karena begitu kamu harus di hukum.”
e) Tini (kakak Hadi ) : Baik dan Ramah.
Tini mengangkat kepalanya. Berhenti sedunya maka, dengan roman muka yang lesu dan bibir mata yang tebal serta hidung yang kemerah-merahan basah, diambil secarik kertas dari tasnya. “ Tilgram,” bisiknya, “ Ayah....” (tiadak lanjut, suaranya tertelan oleh sedu).
– Latar Waktu.
Siang Hari
....... Sunyi beberapa jurus orang-orang pada diam. Hening, Cuma sekali-sekali terdengar sedu Tini. Akhirnya Anas berkata kepada Tini, “ saya rasa masih memburu kereta api jam 2 (melihat jam dindingnya) sekarang baru pukul 1.15.
Latar Tempat.
Panggung dalam asrama
Panggung merupakan sebuah ruangan besar, tempat anak-anak asrama baca-baca/ bercakap-cakap. Di sebelah kiri dekat dinding depan sebuah meja kecil duduk Hasan yang sedang menulis dan di tengah-tengah ruangan ada Hadi dan Anas sedang bermain catur.
Suasana Batiniah
“...... Tapi, saya rasa tidak baik kalau orang yang nyata bersalah tidak mendapat hukuman. Saya sudah terima bersalah, maka saya pun rela menjalani hukuman yang setimpal. “ dan sambil melirik kedalam wajah Hasan, ia mencela dirinya sendiri, “ya, lebih busuk lagi karena saya sudah dapat dihasut untuk mencuri, tidak cukup untuk meminta maaf dan menyesal. Dan memang minta maaf itu pun sekali-kali bukan dimaksudkan supaya saya di bebaskan dari hukuman.”
Suasana Sosial.
..... Melihat itu Hadi lekas membuka jam tangannya, “ Oya Anas< terimalah arlojiku ini. Jualkan supaya kau bisa membeli kaca baru untuk kacamatamu itu.”
Alur Maju.
Karena menceritakan dari awal, yang menggambarkan para tokoh, konflik-konflik yang dihadapi hingga akhir yaitu penyesalan dari konflik tersebut.
Orang pertama, pelaku sampingan karena tokoh utama (orang pertama) sama dengan tokoh yang lainnya dalam novel tersebut.
Tidak, dalam novel “ Bentrokan Dalam Asrama” tidak ada flash back
Pubcak ketegangan :
Ketika Hadi memukul Anas hingga kacamatanya jatuh dan Anas mau membalas pukulan Hadi tapi ada Pak Yoso datang.
Ketika Tini ( kakak Hadi) memberitahukan kalau ayah Hadi meninggal.
a) Konflik Fisik.
Hadi yang sering membentak dan memukul-mukul Anas karena gara-gara gasutan Hasan yang mengatakan kalau Anas itu licik.
Konflik Batin
Tini dan Hadi yang sedik karena ayahnya meninggal padahal setengah tahun lalu ibunya telah meninggal juga dan sekarang Hadi telah memutuskan untuk putus sekolah untuk bekerja menghidupi adik-adiknya

TOURISM OBJECT IN MOJOKERTO

Ubalan baths

Ubalan bathhouse is located in the village of Pacet, Pacet District, located about 1 kilometer from downtown Pacet.

Objects as its main natural resource pool from the mountains, also equipped with a playground, water bicycle tour, and stage entertainment, which has various facilities, among others: small mosque, restaurants, lodging, gazebo and ample parking.

There are objects around the shop, Lesbian fishing ponds, and kiosks that provide food, vegetables, fruit and special food as souvenirs.

Peak wisatawn visit usually occurs during Idul Fitri holidays, New Year and school holidays.

Ubalan bathhouse is Pacet tourist attraction in the region most visited by tourists.

CONVERSATION RECEPTIONIST HOTEL AND GUESS

Receptionist: — Good afternoon, San Felice Hotel. May I help you?
Mrs Ryefield: — Yes. I´d like to book a room, please.
Receptionist: — Certainly. When for, madam?
Mrs Ryefield: — March the 23rd.
Receptionist: — How long will you be staying?
Mrs Ryefield: — Three nights.
Receptionist: — What kind of room would you like, madam?
Mrs Ryefield: — Er... double with bath. I´d appreciate it if you could give me a room with a view over the lake.
Receptionist: — Certainly, madam. I´ll just check what we have available. . . Yes, we have a room on the 4th floor with a really splendid view.
Mrs Ryefield: — Fine. How much is the charge per night?
Receptionist: — Would you like breakfast?
Mrs Ryefield: — No, thanks.
Receptionist: — It´s eighty four euro per night excluding VAT.
Mrs Ryefield: — That´s fine.
Receptionist: — Who´s the booking for, please, madam?
Mrs Ryefield: — Mr and Mrs Ryefield, that´s R-Y-E-F-I-E-L-D.
Receptionist: — Okay, let me make sure I got that: Mr and Mrs Ryefield. Double with bath for March the 23rd, 24th and 25th. Is that correct?
Mrs Ryefield: — Yes it is. Thank you.
Receptionist: — Let me give you your confirmation number. It´s: 7576385. I´ll repeat that: 7576385. Thank you for choosing San Felice Hotel and have a nice day. Goodbye.
Mrs Ryefield: — Goodbye.

IF YOU WANT TO GO CAMPING, WHAT THINGS DO YOU NEED?

Tent
Food
Drink
Flashlight
String
blanket
jacket
pillow
clothes
matches

PUISI B. INDONESIA

TERIMAKASIH SI KECIL

Tubuhmu kering tersengat jahatnya sinar mentari
Tapi, tak sedikitpun kau hiraukan itu semua
Setiap hari kau pergi kepantai
Mencari kerang-kerang untuk laukmu
Setapak-demi setapak kau lalui dengan hati yang riang
Tanpa mengeluh, tanpa mempedulikan lelahnya tubuhmu itu
Seperti itukah jahatnya kehidupan??

Oh Tuhan...
Aku malu, sungguh aku malu...
Aku selalu bermanja-manja
Bahkan untuk menikmati makanan saja aku sering mengeluh
Tak pernah berfikir panjang , bahwa ibuku ke sana ke mari
Bersusah payah menyiapkan semua ini untukku, dengan penuh kasih sayang...

Dirimu membuatku sadar,
Bahwa hidup tidak selalu mudah
Ada kalanya untuk mendapatkan kenikmatan, dibutuhkan sebuah perjuangan

Terimakasih si kecil,
Terimakasih kau memberiku pelajaran yang berharga
Maaf ibuku,
Maaf karena aku selalu membuatmu kecewa...
Tapi aku berjanji,
Aku akan berubah,
Berubah untuk selalu bersyukur, dengan apa yang ada...

POEM

FOREVER

I hope you know that i always try
To be a good girl until my last breath
I can pretend the feeling for you
You make me feel like i’m free again

Let me kiss you
Let me hold you

Every step you take
Every word you say
And every game you play
I’ll be watching you
Cause my love for you
FOREVER

JOB INTERVIEW

Interviewer: Morning, sit down please.
You: Morning, okay thanks.
Interviewer: Now, tell your self,your address and your activity.
You: I’m Dani, i’m 23 years old. I live at Surabaya City. Everyday i school at Surabaya State University.
Interviewer: Then, how do you get the information?
You: I get the informasi from advertisement in a newspaper,
Interviewer: What skill do you have?
You: I can operate the computer well, and i can speaks english fluently.
Interviewer: Can you work in a team?
You: Of course!
Interviewer: Good, so what kind of position do you expect?
You: As Marketing Manager
Interviewer: Why?
You: Because i interested to marketing world.
Interviewer: When you get difficult problem, what do you do?
You: I’ll do the best. Search the best solution. Study hard and will share with my teamwork to resolve that problem
Interviewer: Okey, i think enough this interview.
You: Thank you.nice to meet you
Interviewer: You’re welcome and nice to meet you too.

JOB VACANCY

We are Wartsila, Multi National Company which providing marine and energy industry with power solutions. We are Doers. We are more than 17,000 professionals manning 160 Wärtsila locations in 70 countries around the world who are dedicated to achieve our clients goal. Through innovation in products, services and people, we prove our worth with what we get done for our clients everyday.

People are the key to success
At Wärtsilä we give the highest priority to developing our people because we recognize that they are the company s most important asset.

JOIN THE TEAM THAT IS THE ENGINE OF INDUSTRY…………………

SENIOR SERVICE ENGINEER-MECHANICAL

POSITION RESPONSIBILITIES
Become Team Leader in Field Service job, independently execute field service activities such as complete overhaul, major repair, and trouble shooting, identify failures, making adjustment, doing (sea) trial runs & testing of complete installation according instruction, provided work report internally either externally, perform commissioning, start up & handling over of complete installation, and promote company products and services.

POSITION REQUIREMENTS
• Excellence knowledge of difference engine types and their auxiliaries, Deutz & non brand 2 stroke and 4 stroke.
• Able to analyze, solve product and system related technical problem
• Independent, open mind, self driven and willing to take new challenges
• Willing to work in the field

SENIOR SERVICE ENGINEER – ELECTRICAL

POSITION RESPONSIBILITIESIndependently execute field service activities such as electrical repair, upgrading, maintenance and commissioning, identify failures, making adjustment, doing (sea) trial runs & testing of complete installation according instruction, provided work report internally either externally. Perform commissioning, start up & handling over of complete installation, and promote company products and services.

POSITION REQUIREMENTS
• Excellence knowledge of difference engine types and their auxiliaries
• Able to analyze, solve product and system related technical problem
• Having PLC experience & Electronic Governor/actuator system
• Independent, open mind, self driven and willing to take new challenges
• Wlling to work in the field

GENERAL REQUIREMENTS
• Min. Diploma (D3) and or Bachelor Degree (S1) majoring in Electrical Engineering
• Having min. 5 years for D3 and 3 years for S1 experience in the same position
• Familiar with Power Generation Engine
• Good written and communication skills in English, a team player with excellent nterpersonal skills

GENERAL REQUIREMENTS
• Min. Diploma (D3) and or Bachelor Degree (S1), majoring in Mechanical Engineering
• Having min. 5 years for D3 and 3 years for S1 experience in the same position
• Familiar with Power Generation Engine
• Good written and communication skills in English, a team player with excellent interpersonal skills

Excellent Career Growth Opportunities & Competitive Remuneration Package with Medical and Pension Benefits is designed to recognise the experience & expertise of top talented professional.

Qualified candidates are invited to apply online or send your comprehensive resume with recent photograph not later than October 30, 2010 to:

HR Department, PT. Wartsila Indonesia
Cikarang Industrial Estate, Jl. Jababeka XVI, Kav W-28, Bekasi 17530
e-mail to id.vacancy@wartsila.com

APPLICATION LETTER

May 28, 2007

Mr. Mahdi Syahbudin
Personnel Director
PT. Astra Graphica Art
Jl. Pramuka 54
Jakarta

Dear Mr. Syahbudin:

I am a graduate student in Computer Science at Bina Nusantara University, and I will be awarded an M.S. degree in June 2007. I am currently looking for a position related to Database/Graphics Package Design in the research and development department of a major company.

Before coming to Bina Nusantara University, I designed, supervised, and completed a CAD system. The function covers vector, character and curve generation, windowing, shading, and transformations.

At Bina Nusantara, my research work involves Compilation of Relational Queries into Network DML. To enhance my background, I have taken some courses in computer graphics and database, and I have experience in and an understanding of the design of databases. With this strong background, I certainly believe that I am competent to meet challenging tasks and can make a good contribution to your company.

Enclosed is my resume, which indicates in some detail my training and experience. I sincerely hope that my qualifications are of interest to you and that an interview might be arranged at your convenience.

Thank you for your consideration. I look forward to hearing from you soon.

Sincerely yours,

Florentina Putri

Curriculum Vitae

Curriculum Vitae

Personal Details

Full Name Sex Place, Date of Birth Nationality Marital Status Height, Weight Health Religion Address Mobile Phone E-mail

: Florentina Putri : Female : Probolinggo, August 5, 1979 : Indonesia : Married : 165 cm, 53 kg : Perfect : Moslem : Perum Bojong Depok Baru 1, Blok ZT No.3, Cibinong 16913 : 0817 9854 203 : 021 - 87903802 : putri.flo@gmail.com

Educational Background

1985 - 1991 1991 - 1994 1994 - 1997 1997 - 2001

: Gajahmada Elementary School, Probolinggo : Junior High School No.1, Probolinggo : Senior High School No.1, Probolinggo : Accounting Department at the University of Pancasila, Jakarta

Course & Education

1998 - 1999 1999 - 2002 2004 - 2004

: Computer & Internet Course at Puskom Gilland Ganesha, Jakarta : English Language Course at LBA Gilland Ganesha, Jakarta : Tax Course (Brevet A & B) di FAIUP, Jakarta

Qualifications

Accounting & Administration Skills (Journal Printing & Calculation, Ledger, Petty Cash Payroll & Calculation, Inventory Controls, Project Data Updating, Teller, Salary Caldulation). Taxation System. Computer Literate (MS Word, MS Excel, MS Power Point, MS Access, MS Outlook). Internet Literate.

Working Experience

Working at PT. Flamboyan Bumi Singo, Cibinong
Period Purpose Position	: August 2001 - November 2010 : Permanently working : Accounting & Taxation staff
Job's Description : Payroll Staff; Project's data updating; Business correspondences; Expatriates documentation filling & follow up; Translation; Appointment arrangement; Filling anda data updating; Arranged of business trip schedule; Meeting budget arrangement; Procurement filling, inventory control, and administration asistant; Preparing for breakdown statement for the project, preparing intern finance circular correspondences, and preparing for the presentation materials; Issuing invoice & receipt for vendor and customers; Inventory Controller; Preparation of purchase requirement and purchase order; Invoice & payment arrangement.

Cibinong, November 10, 2010



Florentina Putri

my WEBSITE :)

alamat facebook saya ::

facebook.com/inge.viidorksaa.sukascreamo alamat koprol saya :: http://koprol.com/#/users/inge_lollypop ADD sayaaa yahhh...... :)

EGRANG IS THE ONE OF TRADITIONAL GAMES

Stilts stilts or poles or sticks are used by someone to stand in a certain distance above the ground. Stilts stilts walking is equipped with a ladder as a place to stand, or straps to be tied to the legs, for the purpose of running for a rise above normal levels. In flood plains or beaches or unstable soil, buildings are often built on stilts to protect in order not to be damaged by water, wave, or shifting soil. Stilts have been made for hundreds of years [1].

There are several types of stilts, namely:

* Stilts grip
* Peg stilts
* Drywall stilts
* Spring stilts

Javanese people familiar with various types of traditional games, which are now no longer found. Various kinds of traditional games such skills make room for the wearer. In other words, the traditional game of Java is not just a passive relationship to place. More than that should be active and creative. Therefore, the traditional game of Java provide a creative stimulus for the relationship.

One type of Javanese traditional game of what is known as the stilts. This game assumes the user / relationship to a higher position. Outside the human height. Materials used as are bamboo stilts, which made meyerupai stairs, but only one staircase. When people wear stilts on one leg raised in steps, or if you borrow the term pustep motorcycles, to then walk. Thus, the user rises above stilts made of bamboo as a kind of toy and then walk away.

Therefore, people who wear stilts to go through the learning process first, because it requires a balance. When the balance is not met someone could fall from the stilts. Anyone can use the stilts, do not have children, people can use it dewasapun.

Can form short stilts, but it can also high. To be sure, when people play stilts, his position became much higher than the actual body. Just like people standing on the stairs, or up on the table.

But the game stilts now no longer easily found. Probably already lost. Or perhaps, the game is no longer relevant stilts of today. In the midst of the children used to the escalators that are available in the mall: stand up the stairs just can not walk alone. Stilts seem to provide "a sense of difficulty" of technological facilities.

Apparently the process of establishing creativity has found a formula that's totally different. Did not begin kesaadaran and initiatives from itself and requires very little encouragement from the outside like stilts. Creativity requires the instrument nowadays is no longer simple and hard to leave the technology.

Therefore, the stilts are past that just to remember and hard to find. Children are no longer "know" what it is and how it shaped stilts. How well do I wear it.

Maybe, come back to introduce the memory of the traditional game of Java, stilts and other traditional game types need to be presented. Not a major to restore "the story of the past." But rather to provide cultural references present in children who are completely familiar with the game technologically.

From stilts, maybe someone can menanapki other Javanese traditional game types that are now just a memory.

Traditional cake - NAGASARI

Ingredients:
150 gram of rice flour
300 ml of thick coconut milk
500 ml of diluted coconut milk
2 pcs of pandan leaves
200 gram of sugar
½ tsp of salt
5-6 pcs of ripe plantains, half lengthwise further cut each into pcs
banana leaves for wrapping

Direction:
Dilute the rice flour with thick coconut milk. Set aside. Boiled diluted coconut milk, pandan leaves, salt, sugar until the sugar melted and the pandan leaves have released their fragrance.


Add in the diluted rice flour mixture, mix well. Heat the mixture until it is half cooked.

Lay a piece of banana leave, spread 2 tbsps of the cooked mixture in the middle of the leave, put the slice of banana in the middle of the mixture and covered it by the cooked mixture again.

Wrap the mixture with the banana leaves. You can wrap them any style you like.

Steam them with big fire about 15-20 minutes. Cool them down before serving.

HOW TO MAKE SOUR SAMBAL RIDLEY WALUH

Cooking Ingredients Sour Sambal ridley Waluh:
80-10 red chilies, shallots 5 cloves, 7-8 wuluh star fruit, boiled until tender
1 tablespoon salt
1 / 4 tablespoons MSG
5 spring onions, sliced, fried until golden brown.

How To Make Sambal Asam ridley Waluh:
boiled milled materials, salt, MSG until smooth, then copy them to the container.
add vegetable oil, stir well.
sprinkle with fried onions and serve.


BY: INGE OCTAVIA

page 6 about Mojokerto's Industry

Names lifted Trowulan Through Crafts Sculptures

SKILLS Kartono Adi as a crafter mini terracotta sculpture materials (burnt clay) not spelled held among sculptors in many sub Trowulan, Mojokerto regency, East Java.

Of the hundreds of statues in the area of heritage crafters Majapahit kingdom, only Kartono statue would pursue this complex craft. Although only 26 years old, residents Kedungwulan Hamlet, Village Bejijong, KecamatanTrowulan, was relentless in usaha.Dia began to become an employee at one of the waxworks maker showroom. Want to search for another challenge, Adi finally chose to utilize the expertise to make different products. "One year I become a wax artisans. Learning from his uncle, "said Adi and calling Parno, the name of his uncle. A year into waxworks maker like Adi opened his eyes to develop more expertise.

Back to the embroidery, she learned to make miniature sculptures made from raw clay. Salah.Meski no choice in the learning phase, he could support himself from the business was initially run by myself. "From creating the mold to finished goods, all my own doing," said the young man who only junior high school diplomas. Adi become entrepreneurs who do not think modal.Untuk started his business, he admitted to not need capital. Therefore, the product requires only clay as raw material. "Sack of clay worth only 100,000. It can be used dozens of statues, "he said. Until recently, he had four years running a small business miliknya.Sayangnya Adi still find some problems though have had many mini sculptures with good quality.

Among about marketing. During the time he was only relying on conventional marketing. "I Leave in Cooperative Institute for Archaeological Heritage Preservation (BP3) Trowulan," added the couple's son and Inarti Yapur (late) this. With the toll system products, he could not be sure how much turnover that got every month. Because according to him, the sale of their products also do not depend on the season. "No menentu.Kadang fast, sometimes too slow behavior. Depending on BP3 Trowulan visitors, "he admits. In addition, he also relies on guests who visit the site of Majapahit. During this time, he said, many guests who are looking for souvenirs in the form of a mini sculpture with easy dibawa.Praktis reasons, things are looking buatannyalah the visitors. "There are other terracotta craftsmen.

But, they make sculptures and miniature temple with a large size, "he explained. Because of the lack of promotions and exhibitions, he rarely get orders from outside kota.Meski, recently began to have orders from Jakarta after she joined the show at the JCC who facilitated BRI some time ago. "If many orders, I could hire two more people. Results were quite good, "he said without can calculate how profits from the business. According to him, efforts to involve business in the exhibition BRI national level to help in the marketing issues that have been dialami.Selain it, BRI will also provide capital assistance for further business development.

Although many types of sculpture that has been generated, Adi still lacks an official name of business carried on in the house of his brother. Until now he has 15 kinds of mini-based clay sculpture. Among the statue of King UB, Tri Buana Tungga Goddess, Agastia, some miniature temples Majapahit, animal motifs, and the statue's head mahapati Gajah Mada. From some form of mini statues, he sold it at a price range up to Rp200.000 Rp15.000. "Depending on the motive and the statue," he said. If done alone, he is able to produce 15 units of product a day, rose to the weather dependent.

The weather was very influential with the results of homemade goods, such as for drying, which does not need the weather is too hot because the sun will damage the structure of the statues that have been shaped perfect. "Drying takes two weeks and must avoid winds that could make a crude statue was fractured," said the young man who was tired of being unemployed ini.Adapun targeted daily gain of at least 100,000. "Because usahainimasihkecil, I am only targeting the low numbers," Adi said. Although still constrained in terms of marketing, he believes that his small business still has vast opportunities in the market.

Besides not many terracotta artisans like himself, a product associated with the Majapahit had its own particularity. "This is a message for my uncle. Only associated with Majapahitlah products I make, "said the man who has a motto that life should be independent. He went on to parse the location of the technical difficulties in making a mini terracotta statues that. According to him, there are many things that must be considered. Starting from the selection of clay, the printing process, fretwork, to combustion. If one process was missed, it will not be able to get good product quality. For materials, he chose clay sand minim.Hal levels are very influential with the fineness of the structure of the statue.

Whether in print, carved and when burned. If too much sand content, the color of the statue would not be bright red. "Rough and the color will look a little pale," he explained. He also must choose the right place to get clay. Not infrequently, he has to take samples of soil in some places to get the right clay, too. "Clay is dried and sieved until very smooth. Then given the water and ready dicetak.Untuk noncetak form, the clay that has been carved into solid, "he explained. For the gouge, it takes special expertise. According to him, not all of the sculptor of stone material can do.

Location of the difficulty lies in the motives that are so small. Thus, it takes precision to get perfect results. Especially for the statues of the king's motive, which should be similar to the original. He admitted that he carved it inherited turuntemurun expertise. Although his father as a worker in one car garage, all his brothers experts sculpt. "Of the seven children, five of them can Other memahat.Yang still in school," he said. While in the process of combustion, he still uses the conventional way as well. Several statues of crude he stacks in a small stove with fuel kayu.Ini done because the number of production has yet to require that furnaces with besar.Pembakaran size takes about two to four hours.

"Burned up a bright red color of the statue," he continued. Of the process that it deems has become a habit, he vowed to continue this effort. Products that he created, it is enough to be able to attract the attention of small wisatawan.Selain, the price is quite affordable. "This also is the reason for me to maintain the business ini.Saya sure there are many opportunities," he said
zdan admitted if the example of French citizens had been purchased to be marketed in that country.

He hoped, there are parties who could help solve marketing problems that have been considered to be a major constraint. Understandably, the low educational background makes Adi trouble doing effective marketing. One of marketing via the Internet.

This statue can be used as souvenirs, adorn the room, and other collections

by: inge octavia

page 5 about public place in Mojokerto

Trowulan's Museum

When visiting the Mojokerto regency, it's worth stopping for a moment at the Museum Trowulan. The museum is special because 80% of the museum's collection is a relic of the Majapahit Kingdom era. In history lessons, called the Majapahit empire in Southeast Asia which was founded on 12 November 1293 and lasted for two centuries, from the 13th century until the late 15th century. When led by the Gadjah Mada University and Hayam Wuruk, the kingdom was experiencing its heyday, so expansion into Malaysia and Thailand.

However, after bergonta-changing power and civil war engulfed known Paregreg War, the kingdom was later destroyed. The capital several times experiencing displacement, and the last in District Trowulan, Mojokerto regency, East Java Province.


As the last capital of the kingdom of Majapahit, District Trowulan rich relics of Queen Bajang Gopuram, Temple Kedaton, Rat Temple, Swimming Segaran, and others. In addition, there are still many relics in the form of building components, artifacts, statues and a number of thousands. Debris remnants of the Majapahit Kingdom that is now in the Museum Trowulan. Beginning of the establishment of this museum is that when RAA Kromojoyo Adinegoro, Regent Mojokerto before Indonesia's independence, in cooperation with the Henricus Maclaine Pont, a graduate architect from the Netherlands Technische Hogesholl Delft (THD), on 24 April 1924 establishing Vereeneging Oudheeidkundige Majapahit (OVM). These associations are actively doing research on the existence of Majapahit Palace. OVM offices occupy a building on Highway Trowulan which also provides a home Henricus Pont and his family.

Through research, excavations, and the discovery of the local community, led by Henricus OVM Pont quite successfully uncover the diversity of the heritage of Majapahit Kingdom. Discovery of objects collected in the office of OVM. Since the number of discoveries continues to grow, then in 1926, Regent RAA Kromojoyo Adinegoro instructed to build a new building to accommodate a number of relics of the kingdom of Majapahit. This new building which is a forerunner to the Museum Trowulan. However, after the turnover of power from the colonial occupation of the Netherlands to Japan, Henricus Maclaine Pont, which was previously quite instrumental in preserving the heritage of the kingdom of Majapahit, the Japanese imprisoned for Dutch citizenship. Finally, Trowulan Museum was closed. It was only in 1943 on the orders of Prof. Kayashima, leader of Ancient Goods Affairs Office (KUBK) in Jakarta, the Museum reopened Trowulan. During its development, the Museum Trowulan under the supervision of the Office of the National Archaeological Heritage Institute (KLPPN) Branch II in Mojokerto not only collect relics of the Majapahit Kingdom Trowulan origin, but also the royal relics from other regions. Therefore, any number of collections of the Museum Trowulan increasing and eventually no longer fit. Then again built a new two-storey building in a field, which the society is known by the name Bubat Field, with a total area of 57 255 square meters. Since July 1, 1987 items from the old museum was moved to a new building about two kilometers distance. At this location Trowulan Museum stands today. B. Privileged Trowulan Museum has a large collection of historic objects legacy of Majapahit Kingdom. In 1999 a growing number of collections, because there are additional collections from Arca Building Mojokerto. Until now, the year 2008, the number of museum collections has reached about 80,000 antiquities collection, which are classified from the beginning period of prehistoric, classical period (the time of Hindu and Buddhist), the Islamic period, until the colonial period. Since the number of collections that so many, this museum on January 1, 2007 set as the Majapahit Information Center (PIM). Tourists who visit this museum can see the collection of heritage objects of the Majapahit Kingdom, including inscriptions, statues, artifacts, traditional weapons, and traditional art tools. In addition, visitors can also learn the political and economic history during the Majapahit because this museum reliefs, sculptures, coins, and clay marbles, which depict the activities of Majapahit trade with merchants from China. No doubt, Trowulan Museum is a place that holds rich history that makes it the triumph of the Kingdom of Majapahit as a means of research centers, development of cultural, educational and historical value.
Elephant statue of Vishnu Naik C. Location Museum is located at Jalan Raya Trowulan Trowulan, Hamlet Unggahan, Trowulan Village, District Trowulan, Mojokerto regency, East Java Province, Indonesia. D. Access Access to the Museum Trowulan not too difficult. For tourists who departed from Surabaya Bungurasih Terminal can use public buses Mojokerto majors. From Terminal Mojokerto visitors can use the public transportation into the District Trowulan. After about 15 minutes and pay a fee of about USD $ 2000 (July 2008), visitors can go down in front of the Museum Trowulan. As for tourists who depart from Terminal Jombang department can use the mini bus Mojokerto, then fell in front of the Museum Trowulan to pay around Rp 7,500 (July 2008). E. Ticket prices Tourists who visit the museum is subject to different fees. For public visitors are subject to a fee of Rp 2,500, while for visitors of children, students, and students are charged a fee of USD 1000. And specifically for foreign tourists are charged Rp 5,000. The museum is open Monday through Saturday, while Sunday and holidays closed. For Monday through Thursday, the museum opened at 07.30 till 16.00. Meanwhile on Friday, open from 7:30 am until 11:30 pm, and Saturdays open at 07:30 o'clock until 13:30 o'clock pm.
Museum Entrance Trowulan F. Accommodation and Other Facilities In addition to exhibiting objects of historical traces the legacy of Majapahit Kingdom, the museum also provides supporting facilities, such as meeting halls, places of prayer, parks, toilets, and a library. In the library of this museum there are many history books, ancient manuscripts, journals, maps, and other collections related to Majapahit Kingdom. For tourists who want more distance down the location of the Majapahit Kingdom, not to worry. Around the museum there Gentong Temple, Temple Brahu, Temple Minak Jinggo, Rat Temple, Mausoleum of Princess Campa, Siti inggil Tomb, Tombs Long, Well Sites, Swimming Segaran, Queen's Gate Bajang, Segaran Resettlement Sites, the Great Hall Site, Sites Sentonorejo, Kedaton site, Yoni Site Klinterejo, Arch Wringin Lawang, and Tomb Troloyo. Wells and Ponds Site Segaran, for example, a distance of approximately 300 meters from the Museum Trowulan, reflecting the fertility and the ability to adapt to the kingdom of Majapahit in the environment. Fertility can also be seen in the temple or at the gate Bajang Rat Queen, who in the surrounding courtyard surrounded by green grass.

by: inge octavia

page 4 about traditional custom in Mojokerto

Javanese traditional wedding procession

On Indonesian soil that is rich in cultural diversity, possessed customs vary as well. Included in the wedding procession.

Eg Javanese custom. Most people only know the process of being washed and midodareni. Though there are several other processes that are not less important. Although impressed meticulous, it's worth it if you see more of Javanese traditional wedding procession.

Java customary marriage process begins with a splash of water as a cleaning process performed soul and body which made the day before the consent granted.

There are seven Pitulungan (helper) who made the process of being washed. The water is a mixture of flowers, called Banyu Perwitosari setaman that if possible taken from the seven springs. Begins pouring by the prospective bride's parents, the event was closed by the spray of spray Pemaes who then broke a jar.

Bolting the night, the show continued with Midodareni, that night the bride and groom took off the single. In the event that was held at the residence Midodareni these women, there was a program to ensure nyantrik bridegroom will be present at the consent granted and the certainty that the family of the bride and ready to perform marriage ceremonies Panggih next day.

Panggih Ceremony

After the marriage ceremony performed Panggih ceremony, where flowers Mayang taken out of the house and placed at the intersection near the house that aim to drive away evil spirits. After that the bride who met the bridegroom will continue to perform the ceremony:

1. Balangan order
Threw the betel leaf which symbolizes love and faithfulness

2. Wiji dadi
The bridegroom stepped on a chicken egg to burst, then the bride will wash the feet of the husband with flower water. This process represents a husband and father who is responsible for his family.


3. Fertilizer
Bride's mother-in-law wiped male bride as a sign of sincerity to accept it as part of the family.

4. Sinduran
Walking slowly with a draped cloth sindur as a sign that the bride has been accepted as a family.

5. Balanced
Both the bride sitting on the lap of the father of the bride as a sign of affection toward children and parents in-law the same size.

6. Kacar-kucur
Kacar-kucur which poured into the lap of the woman as a symbol of living.

7. Dahar Klimah
Each feeding one another that symbolizes the bride and groom will live together in difficult and fun.

8. Mertui
Bride's parents to pick up the bridegroom's parents in front of the house to walk together to the place of the ceremony.

9. Sungkeman
Both bride begged the blessing of both parents.

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by: inge octavia

On Indonesian soil that is rich in cultural diversity, possessed customs vary as well. Included in the wedding procession. <br /> <br />Eg Javanese custom. Most people only know the process of being washed and midodareni. Though there are several other processes that are not less important. Although impressed meticulous, it's worth it if you see more of Javanese traditional wedding procession. <br /> <br />Java customary marriage process begins with a splash of water as a cleaning process performed soul and body which made the day before the consent granted. <br /> <br />There are seven Pitulungan (helper) who made the process of being washed. The water is a mixture of flowers, called Banyu Perwitosari setaman that if possible taken from the seven springs. Begins pouring by the prospective bride's parents, the event was closed by the spray of spray Pemaes who then broke a jar. <br /> <br />Bolting the night, the show continued with Midodareni, that night the bride and groom took off the single. In the event that was held at the residence Midodareni these women, there was a program to ensure nyantrik bridegroom will be present at the consent granted and the certainty that the family of the bride and ready to perform marriage ceremonies Panggih next day. <br /> <br />Panggih Ceremony <br /> <br />After the marriage ceremony performed Panggih ceremony, where flowers Mayang taken out of the house and placed at the intersection near the house that aim to drive away evil spirits. After that the bride who met the bridegroom will continue to perform the ceremony: <br /> <br />1. Balangan order <br />Threw the betel leaf which symbolizes love and faithfulness <br /> <br />2. Wiji dadi <br />The bridegroom stepped on a chicken egg to burst, then the bride will wash the feet of the husband with flower water. This process represents a husband and father who is responsible for his family. <br /> <br /> <br />3. Fertilizer <br />Bride's mother-in-law wiped male bride as a sign of sincerity to accept it as part of the family. <br /> <br />4. Sinduran <br />Walking slowly with a draped cloth sindur as a sign that the bride has been accepted as a family. <br /> <br />5. Balanced <br />Both the bride sitting on the lap of the father of the bride as a sign of affection toward children and parents in-law the same size. <br /> <br />6. Kacar-kucur <br />Kacar-kucur which poured into the lap of the woman as a symbol of living. <br /> <br />7. Dahar Klimah <br />Each feeding one another that symbolizes the bride and groom will live together in difficult and fun. <br /> <br />8. Mertui <br />Bride's parents to pick up the bridegroom's parents in front of the house to walk together to the place of the ceremony. <br /> <br />9. Sungkeman <br />Both bride begged the blessing of both parents.

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